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The Art of the English Murder

From Jack the Ripper and Sherlock Holmes to Agatha Christie and Alfred Hitchcock

Audiobook
1 of 1 copy available
1 of 1 copy available
Murder: a dark, shameful deed, the last resort of the desperate or a vile tool of the greedy—and a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?


In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. The Art of the English Murder is a unique exploration of the art of crime—and a riveting investigation into the English criminal soul.
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    • AudioFile Magazine
      Listeners are offered a comprehensive look at infamous crimes, the British fascination with all things lurid, and the literary genre that grew from that fascination. Anne Flosnik delivers this excellent overview at a distance, standing slightly apart from the sensational crimes she's recounting. Her dispassionate narration focuses on the Brits' morbid preoccupation with trials and public executions without exaggerating the melodrama inherent in the theatrical details. An able guide, Flosnik navigates the years from 1800-1946 via gory newspaper items, garish "penny dreadfuls" based on real crimes, and the rise of true-crime journalism. As a bloodthirsty English public clamored for even more, a new genre, mystery/detective fiction, offered opportunities for masters such as Charles Dickens, Agatha Christie, Dorothy L. Sayers, and Arthur Conan Doyle. S.J.H. © AudioFile 2015, Portland, Maine
    • Publisher's Weekly

      February 23, 2015
      Narrator Flosnik delivers a competent but rather bland reading of Worsley’s chronicle of the fascination with murder in British popular culture in the 19th and early 20th centuries. The desire for reality drama is not something that was introduced by today’s TV; the book takes listeners back to the 19th century, when the English populace was held in thrall by tales of real-life killings, thievery, and general criminal mischief, as well as the consequences for the perpetrators. Public hangings pulled in huge crowds of people looking to see end-of-the-rope justice. This curiosity eventually gave rise to crime in literature and plays, from penny dreadfuls and pulp to modern day mystery novels. Worsley deftly expounds upon all aspects of crime and punishment with an enthusiastic scholar-of-the-people delivery. However, Flosnik’s presentation is more perfunctory. She keeps her reading straightforward with little emotional inflection. She certainly has an excellent professional reading voice. Her intonation is perfect, but she lacks personality, and consequently the text is never really brought to life. A Pegasus Crime hardcover.

    • Publisher's Weekly

      Starred review from June 9, 2014
      This lively, lucid, and wonderfully lurid history from Worsley (If Walls Could Talk) examines the fascination with murder in British popular culture in the 19th and early 20th centuries. The book opens with an account of the Ratcliffe Highway murdersâtwo separate attacks that left seven people dead. These murders established the link between sensational crime reporting and robust newspaper sales, a gruesome correlation that shaped pop culture in the U.K. in the ensuing decades. Worsley's study takes a literary spin as she traces the emergence of detective fiction from its roots in the mid-Victorian "sensation" novel. She dwells at length on the genre's "golden age"âthe interwar period, which saw the rise of female writers (e.g., Agatha Christie and Dorothy L. Sayers)âand subsequently shows how detective fiction gave way to the darker American-style thriller of the Cold War era. Worsley's vivid account excites as much as its sensational subject matter, and edifies, too, thanks to her learned explications. Agent: Felicity Bryant, Felicity Bryan Associates.

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