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Tristram Shandy

Audiobook
1 of 1 copy available
1 of 1 copy available

Laurence Sterne's most famous novel is a biting satire of literary conventions and contemporary eighteenth-century values. Renowned for its parody of established narrative techniques, Tristram Shandy is commonly regarded as the forerunner of avant-garde fiction. Tristram's characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain's greatest comic achievements. A cast of strange characters populate this strangest of novels: gentle Uncle Toby, sarcastic Walter and of course, the pompous, garrulous Tristram himself. This edition is read by Anton Lesser in a tour de force performance.

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    • AudioFile Magazine
      There's no doubt that TRISTRAM SHANDY, whose first two volumes were published in 1759, is a novel ahead of its time. Whether it's a novel at all is still to be considered. Sterne's experimental form questions the construction of the traditional novel, a question that novelists would not seriously revisit until the twentieth century. The irony is that we learn little of Tristram's life and opinions. Seasoned narrator Anton Lesser reads with an enthusiasm rivaled only by Sterne's pen. Lesser's playful tone perfectly captures the author's irony. He brings Sterne's eccentric characters to life, flawlessly shifting from voice to voice. Conversations between Tristram's opinionated father and passive Uncle Toby are especially amusing. Lesser's jovial reading makes this production a delightful romp through Sterne's prose. D.M.W. 2010 Audies Finalist (c) AudioFile 2010, Portland, Maine
    • AudioFile Magazine
      Sterne's classic novel is marked by the driest of wits, an eye for human stupidities, and the author's willingness to meander away, following any seeming blind tangent that only he could weave into the fictional life story of the main character. Such a story requires a narrator who can communicate superiority and detachment, and John Moffatt does both. Moffatt is restrained, and, rather than trying to give each character a fully independent voice, he rightly allows the author's voice to color all. His pacing is first-rate, as he frequently slows to allow each of Sterne's pointed observations to sink in. G.T.B. (c) AudioFile 2005, Portland, Maine

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  • OverDrive Listen audiobook

Languages

  • English

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