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Craft

Stories I Wrote for the Devil

Audiobook
1 of 1 copy available
1 of 1 copy available
At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life, and she writes him stories about beautiful and impossible things. Craft: Stories I Wrote for the Devil is an intoxicating and unsettling linked collection that lures listeners into surreal pockets of the United States and Brazil, where they'll find bite-size Americans in vending machines and the ghosts of people who are not dead. With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you're as much a part of the stories as they're a part of you. The collection includes "Rapture," "Ghost Story," "Tropicália," "Antropógaga," "Idle Hands," "Rent," "Porcelain," "Heaven, Hell, and Purgatory," and "Hasselblad."
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    • Publisher's Weekly

      Starred review from March 25, 2024
      Poet Lima (Mother/Land) makes a terrific fiction debut with this stylistically adventurous collection of interconnected stories featuring an unnamed Brazilian American writer who sleeps with the devil himself at a Halloween party in 1999 and continues to see him pop up throughout her life. In “Ghost Story,” the writer’s mother is plagued by visions of her daughter’s ghost, who appears older than she is in real life and who claims to hail from a terrible future. Workplace racism, the omnipresence of ICE, and memories of Gremlins 2 converge during a lunar eclipse for the young immigrant protagonist of “Tropicália.” “Porcelain” finds a lonely office worker meditating on a rat’s unexpected appearance in a Brooklyn toilet. In “Heaven, Hell, and Purgatory,” the title locations are represented by a woman’s experiences in an all-inclusive resort, New York City’s Penn Station, and the one-story sprawl of Los Angeles, respectively. Lima’s prose is lush and her well-constructed plots are frequently surprising. The stories, and the stories within those stories, connect to some of the cruelest portions of the human experience with uncommon warmth and wit. Fans of Gabino Iglesias and Carmen Maria Machado will want to snap this up.

    • Library Journal

      September 13, 2024

      Poet and translator Lima (Mother/land) makes her fiction debut with a collection of surreal stories centered on the devil. In 1999, an unnamed Brazilian American writer sleeps with the devil. After that, the devil continues to drop by at different points in the writer's life. Within this collection, listeners will find an unusual ghost haunting someone's mother, a vending machine that serves up tiny humans, and a metafictive piece that showcases various writing workshop critiques. Though the stories have unusual and even diverging premises, they are tied together by the main narrative of the devil and what the stories say about the creative process. "Idle Hands," the story told through critiques, is a standout example, but the other tales show how all aspects of a writer's life (their childhood, current events such as the 2016 election, and the immigrant experience) contribute to their writing. Narrator Taylor Harvey's placid voice helps listeners meditate on the story's individual messages, portraying the devil as one who seems sad about humanity's folly. VERDICT These interconnected stories centered on the craft of writing are both intriguing and thought-provoking. Suggest to fans of Carmen Maria Machado.--James Gardner

      Copyright 2024 Library Journal, LLC Used with permission.

    • AudioFile Magazine
      Taylor Harvey brings an unusual collection of short stories to life with a captivating narration. The stories are loosely connected by their unnamed author's affair with the devil--and its aftermath. The theme of the works is the author's pursuit of the craft of writing. Harvey imbues the stories with engaging pathos that is elevated by Lima's poetic prose. Harvey's narration encourages listeners to be patient as they sink deeper into Lima's skillful writing. The performance borders on the musical with Harvey matching the poetic cadence while ensuring that the unusual elements--tiny humans wrapped in plastic as snacks, a vending machine addiction, and a relationship with the devil--are clear and engaging. J.M.M. © AudioFile 2024, Portland, Maine

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  • English

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