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Save What's Left
A Novel (Good Morning America Book Club)
“Irreverent and unexpectedly tender, this story takes neighborhood feuding to new heights and finds beauty and reinvention in unlikely places." —Oprah Daily
"Brings a tongue-in-cheek tone to the beach read genre."—TIME
When Kathleen Deane’s husband, Tom, tells her he's no longer happy with his life and their marriage, Kathleen is confused. They live in Kansas. They’ve been married thirty years. Who said anything about being happy? But with Tom off finding himself, Kathleen starts to think about what she wants. And her thoughts lead her to a small beach community on the east coast, a town called Whitbey that has always looked lovely in the Christmas letters her childhood friend Josie sends every year.
It turns out, though, that life in Whitbey is nothing like Josie’s letters. Kathleen’s new neighbor, Rosemary, is cantankerous, and the town’s supervisor won't return Kathleen’s emails, but worst of all is the Sugar Cube, the monstrosity masquerading as a holiday home that Kathleen’s absentee neighbors are building next door to her quaint (read: tiny) cottage. As Kathleen gets more and more involved in the fight against the Sugar Cube and town politics overall, she realizes that Whitbey may not be a fairytale, but it just might be exactly what she needed.
Save What’s Left can best be described as the “un-beach read.” It pulls back the curtain on life in a beach town, revealing the true cost of a pretty view. Told from the candid and irreverent perspective of a newcomer turned local, this is a story of forgiveness, fortitude, and second chances.
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Creators
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Publisher
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Release date
June 27, 2023 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780593739426
- File size: 253509 KB
- Duration: 08:48:08
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Languages
- English
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Reviews
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Publisher's Weekly
April 24, 2023
Castellano turns the beach-read genre on its head in her clever debut. Fifty-nine-year-old Kathleen moves from Kansas to the little seaside town of Whitbey, N.Y., after her husband, Tom, makes the surprising announcement that he wants a divorce. Expecting a “bucolic paradise” and “small-town charm,” Kathleen buys a waterfront oyster shack and drives across country, but instead of beachfront bliss, she finds a two-room shed with a leaking roof and a rotting bulkhead, next door to a McMansion-in-progress, a monstrosity the locals call the Sugar Cube. Soon she finds herself engaged in an impassioned, one-sided correspondence with the town supervisor, detailing her grievances regarding the massive construction project. She also inadvertently takes a side in a local turf war regarding the development of a vacant waterfront property. And rather than meeting a handsome stranger as she’d hoped, Kathleen is instead surprised when Tom shows up, having bailed on a cruise around the world and purchased an Airstream, which he parks in Kathleen’s driveway. The plot, which culminates in some big, late-breaking twists, is a bit lopsided, but Kathleen’s character and worldview are impeccably drawn, thanks to Castellano’s idiosyncratic and assured voice. This witty send-up is a winner. -
Library Journal
Starred review from June 10, 2024
After her husband leaves her, 59-year-old Kathleen Deane buys a beach house near the Hamptons, sight unseen. Her road trip from Kansas City to Long Island, NY, gives her time to go through the five stages of grief, allowing her to be "the first person in history to reach acceptance on the Long Island Expressway." Upon arriving in Whitbey, she is dismayed to discover that her new house is basically a shack, that a McMansion is being built next door, and that small-town politics are appallingly corrupt. Kathleen tries to let this go, but her crabby neighbor Rosemary enlists her support in ceaseless attempts to hold the local government accountable for its shady dealings. Between attending community-board meetings and fighting with contractors at the house next door, Kathleen writes hilariously polite yet simultaneously rude letters to the town supervisor. Th�r�se Plummer narrates with gleeful vigor, conveying Kathleen's frustrations with perfectly pitched, snarky relish. Plummer's spot-on comedic timing makes for a completely engaging, laugh-aloud listen. VERDICT A perfect marriage of narrator and novel. Anyone who has ever lived in a small town or dealt with the realities of aging should find this production delightfully relatable.--B. Allison Gray
Copyright 2024 Library Journal, LLC Used with permission.
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